During infancy, kids listen to family members and often try to replicate what they hear. As children grow, associating symbols with sounds becomes critical to language development, and experts say it's more important in learning to read than most parents realize.

When it comes to reading, children must discriminate individual sounds before they can put them together to build words. Studies show playing rhyming games and sounding out words with your children helps develop their reading skills. But what about watching television?

According to a 2004 study published in The Journal of Biological Psychiatry, associating symbols with sound, especially in the form of narrative, plays a large role in the proper development of reading skills.

In the study, two groups of children with poor reading skills were examined to determine which learning approach was more effective: traditional remedial reading, special education, speech and language tutoring or reading lessons built around sound and symbol associations contained in narrative. The group that was given reading lessons with sound and symbol associations enjoyed learning more and had a dramatic improvement in their reading skills and fluency.

Based on this and other research, one company has developed an enjoyable way for students to improve reading, comprehension and development skills early on, and it involves watching television - specifically children's movies.

Reading Movies, part of the ReadEnt learning program developed by SFK Media Specially for Kids Corp., are interactive movies that use "Action Caption" technology to show the spoken word on the screen, in real time, as the character speaks. The words appear out of the mouths of the speakers with clarity and with no disruption to the flow of the movie. As children watch the movies, their reading and spoken language skills develop naturally.

Reading Movies are available in a set of three DVDs featuring adaptations of literary stories many know and love: Jules Verne's "20,000 Leagues Under the Sea," Jonathan Swift's "Gulliver's Travels" and "The Trojan Horse," adapted from Homer's "The Odyssey." So what does this all mean for parents? No more guilt for letting your kids watch TV.

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Independent filmmaking often takes place outside of Hollywood, or other major studio systems. An independent film (or indie film) is a film initially produced without financing or distribution from a major movie studio. Creative, business, and technological reasons have all contributed to the growth of the indie film scene in the late 20th and early 21st century.

On the business side, the costs of big-budget studio films also leads to conservative choices in cast and crew. There is a trend in Hollywood towards co-financing (over two-thirds of the films put out by Warner Bros. in 2000 were joint ventures, up from 10% in 1987). A hopeful director is almost never given the opportunity to get a job on a big-budget studio film unless he or she has significant industry experience in film or television. Also, the studios rarely produce films with unknown actors, particularly in lead roles.

Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film. The cost of 35 mm film is outpacing inflation: in 2002 alone, film negative costs were up 23%, according to Variety.

But the advent of consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video in the early 1990s, have lowered the technology barrier to movie production significantly. Both production and post-production costs have been significantly lowered; today, the hardware and software for post-production can be installed in a commodity-based personal computer. Technologies such as DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Premiere Pro, Sony Vegas and Apple's Final Cut Pro, and consumer level software such as Apple's Final Cut Express and iMovie make movie-making relatively inexpensive.

Since the introduction of DV technology, the means of production have become more democratized. Filmmakers can conceivably shoot and edit a movie, create and edit the sound and music, and mix the final cut on a home computer. However, while the means of production may be democratized, financing, distribution, and marketing remain difficult to accomplish outside the traditional system. Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution. The arrival of internet-based video outlets such as YouTube and Veoh has further changed the film making landscape in ways that are still to be determined.

An open content film is much like an independent film, but it is produced through open collaborations; its source material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright. Like independent filmmaking, open source filmmaking takes place outside of Hollywood, or other major studio systems.

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Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media.

Film critics working for newspapers, magazines, and broadcast media mainly review new releases. Normally they only see any given film once and have only a day or two to formulate opinions. Despite this, critics have an important impact on films, especially those of certain genres. Mass marketed action, horror, and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film that makes up the majority of any film review can still have an important impact on whether people decide to see a film. For prestige films such as most dramas, the influence of reviews is extremely important. Poor reviews will often doom a film to obscurity and financial loss.

The impact of a reviewer on a given film's box office performance is a matter of debate. Some claim that movie marketing is now so intense and well financed that reviewers cannot make an impact against it. However, the cataclysmic failure of some heavily-promoted movies which were harshly reviewed, as well as the unexpected success of critically praised independent movies indicates that extreme critical reactions can have considerable influence. Others note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of the film. However, this usually backfires as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result.

It is argued that journalist film critics should only be known as film reviewers, and true film critics are those who take a more academic approach to films. This line of work is more often known as film theory or film studies. These film critics attempt to come to understand how film and filming techniques work, and what effect they have on people. Rather than having their works published in newspapers or appear on television, their articles are published in scholarly journals, or sometimes in up-market magazines. They also tend to be affiliated with colleges or universities.

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Thievery is alive and well in Hollywood. The glamorization of crime invariably tickles the curiosity of the public. Criminals have been portrayed as exciting, daring and cunning tantamount to hero status. They are the risk takers who should not be completely judged upon their criminal expression but rather looked at as individuals with some merit. They are cast sympathetically as their relationships are examined and ultimately lend credence to the justification, in their minds, of the criminal choices they have made. But worst of all, they are often shown as being ‘cool’, even as they hurdle towards the death of their freedom.

Take, for example, the jewelry or art thief. Movies like the Italian Job, the Score and Ocean’s Eleven display criminals as generally model citizens, other than when they are committing crimes. There may be such criminals but are they so suave in their real lives? Are they seemingly morally upright in their relationships with others? Are they really just good guys who happen to commit crimes? In real life the majority of criminals are not suave, cool or sympathetic figures. They are cutthroat, ruthless and to a degree, sociopathic. Mob figures are the best example of the paradox between the glamorization of criminal life and reality of criminal behavior.

All agree that the Soprano’s, a show about mob life in New Jersey, is a great show. The production value is high, the actors are skilled and the plot lines are well conceived. People get whacked, money gets laundered and criminals get promoted for good work. Yet, in order for the audience to tune in every week they must connect with the characters. Hence, the boss of the family, Tony Soprano is shown as a father, a husband and as attempting to improve his relationships with the outside world by visiting a therapist. This is a ploy to create sympathy for a ruthless murdering crime boss. And it works, as the Sopranos is a hit. What then are the real criminals doing?

True mob figures don’t give a damn about the outside world. Their loyalty lies with their crime families. They lie, cheat and murder for riches and would stomp on the average person, literally, to further their gains. A true jewelry thief is usually a two bit criminal who robs the local family owned jewelry store, as can be verified by FBI criminal statistics. Real criminal life is fraught with betrayal, pain and stints in prison. Most criminals are caught at some point with over 13 million arrests made in the US in 2005 alone, according to the FBI.

The business side of Hollywood is reactionary in nature. The glamorization of criminal life is partly in response to a demand by the public. Interest in stylized underworld figures comes from a public perhaps bored with their average daily existence. The idea that there are people who survive in a world where they ignore the law, fascinates us. But when the glamour is shaken off, and the dust clears, there is only an empty fancy suit left, where a thief once stood.

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As an independent filmmaker specializing in animated comedy, I'd like to share my thoughts and observations on how to create projects intended to make people laugh (in a good way). By taking a close look at recent popular shows and movies (i.e. Simpsons, Family Guy, Shrek, etc) I've outlined a brief analysis that identifies some of the major strategies of humor used in many of today's animated television programs and shows, as well as the advantages/disadvantages of implementing them. Just a note before we continue: this article isn't intended only as a guide for comedy filmmakers- I'm sure those of you who appreciate good humor will get something out of it as well.

The following compilation is the result of my own observations, and I'm certain you'll see what I mean if you take a closer look this Sunday night when Family Guy comes on. Later, I'll share some of my own thoughts on the subject of creating effective humor for mainstream audiences.

1. PARODY: This involves poking fun of well-known genres and plot formulas (action, horror, porn, etc), and making references to well-known films, TV shows, famous people, significant historical events, etc. Very often, these genres, films, and TV shows are spoofed. Think of the number of times you've seen a reference to a Kubrick film during an episode of The Simpsons, or a Star Wars reference in Family Guy to emphasize a joke.

Advantages: First off, it's easy to do and often elicits laughs. The basic structure of the joke is based on a well-known source, and the audience is likely to get it right away.

Disadvantages: To be blunt, it's lazy filmmaking. Too much parody thrown in a story can often be interpreted as a lack of creativity/originality, and ultimately limits the project's depth. Jokes/gags of this kind will only last as long as the spoofed or referenced subject is popular or is fashionable.

2. ANIMATION THAT IS DELIBERATELY BAD/CHEESY: Includes the use of poorly drawn/animated characters and backgrounds as an important element of the humor.

Advantages: Sometimes more efficient and more cost effective than using more detailed animation techniques. It's funny to watch and calling some attention to the bad animation can generate new jokes and great sight gags. Think of shows like Aqua Teen Hunger Force and Sealab 2021.

Disadvantages: Like the parody, this can quickly turn into lazy filmmaking. Depending only on bad animation for laughs might make the project difficult to maintain in the long run.

3. GROSS-OUT HUMOR/EXPLICIT LANGUAGE: Includes humor that is, but not limited to being scatological, sexual, bloody, etc. Also includes use of foul language. Since the Simpsons and South Park, audiences have come to expect jokes of this kind.

Advantages: In small doses and if done with subtlety, gross-out humor and the use of explicit language combined with visual sight gags can be hilarious.

Disadvantage: Easy to overuse. Dialogue containing too many four-letter words for the sake of being obnoxious will turn off most viewers. Gross-out humor, if only used for shock value, will seem shallow if it does nothing to contribute to the overall story.

4. NON-SEQUITORS (RANDOM HUMOR): Jokes, statements, events, etc. that happen out of nowhere.

Advantages: Absurd humor that occurs at random works on several levels, which include the outlandishness of the act itself, its unpredictability, and also its general disregard for logic in context with the scene's apparent focus. It can take an audience by surprise, and can add some originality to the project.

Disadvantages: If an absurd and random act suddenly shifts the focus of the story, it may disappoint viewers who have otherwise been engaged in the narrative. Also, many people may not "get it," which has the potential of restricting the viewing demographic. When a nonsequitor serves as a story's conclusion, it's usually evidence of an inability to create an effective ending.

On creating more effective humor:

Characters with unique qualities: Trying to be original isn't easy, but it is a lot of fun. When creating characters, don't worry too much about whatever's "hip" or "in" at the moment. Start off with characters that have very specific personality traits, habits, etc. Base them off yourself, off of people you know, your experiences, or just let your imagination run wild. Give your characters specific hobbies, unusual interests (i.e. a hero that can't resist objects that squirt water), and/or specific likes/dislikes. These concrete qualities will often provide opportunities to develop character, storylines, and above all, humorous events.

Stories with solid conclusions: Many creative folks I've talked to notice the difficulty of coming up with good endings. No matter what the genre, filmmakers of all sorts can learn a valuable lesson from mystery novel authors. When you come up with the idea for a film, start by knowing how it's going to end. This gives the story focus, and makes it easier for all the events to logically pan out. Another important tip to remember- audiences will almost always forgive a film with a bad beginning, but will never forgive a film with a bad ending.

Understand that being funny isn't the same as acting funny: Okay, what does this mean? Here's an illustration: There was a video on the internet of a careless skateboarder falling on his face multiple times after trying to coast off the roof of his parents' house. It wasn't funny to the skateboarder, but it was funny to most of the people who saw it happen. Why? On a psychological level, it's in our nature to laugh or take some kind of satisfaction in someone else's misfortune/failure so long as the screw-up doesn't result in death or dismemberment (most of the time). On a more practical level, most of the online viewers laughed at the sheer idiocy of the act. After all, the careless skateboarder who plunged off the roof actually expected positive results from his stunt. So how do we apply this to creating comedy? Create situations that are funny to the audience, but not to your characters. One effective way of doing this is having your characters expect serious results from doing things that are clearly dangerous, stupid, or both.

These are just a few pointers to help you get started with creating your own comedy, or to help you understand some of the more successful comedy out there today. I hope you enjoyed the article. Have a good laugh!

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Most iPods, besides their music features, offer high quality video capabilities; it’s one of the reasons they are one of the most versatile gadgets on the market. We all enjoy watching movies to relax and unwind, so why not convert your own DVDs to the iPod format and watch them whenever you want, wherever you are?

Transferring your DVD movies to play on your iPod, iPhone, Touch, or Nano can be simple, or in some cases, time-consuming and difficult. There are many iPod converters available, but only a few are worth purchasing: some are too expensive, some are hard to use, and many aren’t reliable (they mess up sound and/or picture, or they can’t convert new movies). A good iPod converter must meet the following conditions:

• User-friendly interface – the program must be easy to use.

• Fast encoding – the program must be able to encode fast so that the entire process will be finished fast.

• Versatile – the Converter should be able to output video for all iPod Video formats: Classic, Nano, Touch, and iPhone.

• Quality – the converted movie must offer excellent sound and picture quality.

• Error Processing – the program must be able fix any problems that appear during the converting process.

• Features – the program must have popular options implemented, such as picture quality, subtitles, different languages, etc.

It’s also helpful if the program has a tutorial/help section where the user can learn how to take advantage of extra features. Another important thing regarding conversion from a DVD to an iPod is the ability to zoom from widescreen to full screen. A good converter should have this feature implemented in order to allow for a clean transition.

The program should allow inexperienced as well as advanced users a satisfactory experience. For novice users, a good converter should have an option for automatically adjusting settings to achieve the best results. For advanced users, there should be the ability to manually adjust a wide variety of parameters. A good iPod converter should also allow converting from both NTSC and PAL DVD movies.

Excellent iPod converters can be found for around $40.00, and they’ll do everything, and often more, than some of the more expensive programs. You can try and go the inexpensive route, using two or three free programs in combination (Videora, DVD Shrink, Handbrake, etc.), but I found that the free programs involved a large number of steps, produced mixed results, and wouldn’t convert many new DVD movies (those produced over the past four years). Don’t get me wrong, I’m a thrifty guy, and if there’s a cheap way to do things, I‘m usually on-board, but in this case, the hassle just wasn’t worth it. The advantages offered by a good converting program far outweighed the trial and error hassles I found using outdated free programs.

Converting your DVD movies to play on an iPod allows one to watch their favorite movies and T.V. programs while on the bus or subway, on airplanes or long drives, or whenever you have a few free moments. DVD conversion software is getting more and more popular, as they facilitate the perfect transition from the ‘big screen’ to the ‘little screen’.

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So what really is considered a classical movie? Can we simply associate as a black and white film noir thing? Containing some of those cheesy classical music? How about big powdered wigs? Do you think of the formal nature of both the characters as well as the period get-up and attire? Is a classic movie one which garnered 10 Oscars? Or do you think a classic movie simply one which down to the perception of the viewers and individuals?

The classical movie IS truly one of the great inventions since we discovered hamburgers. The classical movie is also the one show that we had the benefit of watching when we were kids, cause at the time only three television channels were available. It was during those good old Saturday afternoons and Sundays, when my dear father wasnt consumed by the sports programmes on show, when those classic movies from the past, movies featuring the glamour girls and the guys that inspired us boys to want to be cowboys, were made available for us to enjoy in all their splendour.

Though there is obviously a distinct difference between classical movies and classical movies with only classical period elements (music, costumes, storylines, etc.), I would like to address the delight of the classical movie of yesterday and today that does involve only a particular period of history and does, then feature only classical period elements.

I tend to associate the black and white flicks with the beauties and the beaus, the comedies with the curmudgeons, the histories with the insights into who people were back then, like us but with an added je ne sais quoi that we must find out, learn about, and finally to appreciate in as great a depth and as wide a breadth as we can, in order to do them the justice they deserve.

Say for example, my favorite classical movie of all time, Impromptu. This film basically enacts a couple of years in the lives of the characters George Sand, Franz Liszt, Freiderich Chopin, and the regal and wealthy folks who took artists in, allowing them to paint, create, compose, write, in exchange for wonderful company and fine entertainment. The film concentrates on Sand, who is bent on partnering with Chopin, her aggression equal in magnitude, as was his weakness. The costumes, the soundtrack, the dialogue, and the setting are all as breathtaking as the direction, technique, and the delivery of words and emotion. There is even a theme or two that humans from the beginning of time until today can identify with or appreciatethe love and hate, good and evil, as well as longing and belonging motifs that are as timeless as the movie itself.

Other classical movie choices I have an affinity toward are those less mainstream & popular ones. I would consider Mrs. Parker and the Vicious Circle (though clearly POST-classical periods), Wilde, and Jefferson, for instance, as worthy of classical movie acclaim as say Amadeus, Emma, The Piano, and any number of Kenneth Branagh and Emma Thompson productions.

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After a failed attempt at collaborating on “Eucalyptus,” Russell Crowe and Nicole Kidman are looking to team with “Moulin Rouge” director Baz Luhrmann. All three are Australian.

Crowe and Kidman have signed on to star in what is being called an epic Australian Outback film set in the years up to and including World War II. The film, codenamed “Project Oklahoma,” will begin in the 1930s and stretch to the 1942 Japanese bombing of the tropical city of Darwin.

“We’ve talked a bout it for over seven years, that we must do something together in Australia.” Luhrmann said to the Sydney Morning Herald.

Kidman said that she was looking forward to making a “uniquely Australian story” with Crowe, who she calls her “good friend.”

Luhrmann compared the film to “Gone with the Wind” and “Lawrence of Arabia.” “Collateral” screenwriter Stuart Beattie will work with Luhrmann on the script for the film.

Kidman has had a working history with Luhrmann, who directed the three minute, multimillion-dollar Chanel No. 5 commercial in which Kidman starred.

The rumored budget for the film is said to be about $40 million in Australian currency, which is equivalent to about $30 million in U.S. dollars. Filming is set to begin in August, and the film is projected to be released in 2007.

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Ian Lancaster Fleming (1908-1964), the author of the James Bond 007 novels, was the grandson of a Scottish banker and the son of a Conservative MP (Member of Parliament). His father died in the first world war. In his will, he bequeathed his property to his widow on condition she never remarries.

Ian's youth was inauspicious. He was expelled from Eton following a sexual liaison with a girl. He left Sandhurst without obtaining an officer's rank, having been caught violating the curfew. He continued his education in Kitzbuhel, Austria, in Munich and in Geneva where he studied languages. But the chain of disappointments continued apace. He failed in a Foreign Service exam and had to join Reuters as a journalist. There he successfully covered a spy trial in Russia (1929-32).

He then joined a British investment bank as a stockbroker and moved to live in a converted temple in Belgravia, a fashionable district of London, where he entertained the members of the Le Cercle Gastronomique et des Jeux de Hasard.

In 1939, Fleming took on an assignment for The Times in Moscow - in effect a cover. He was spying for the Foreign Office and later for Naval Intelligence where he attained the rank of Commander.

During the second world war, he worked from room number 39 in the Admiralty building in Whitehall as assistant to Admiral John Godfrey. He was involved in the evacuation of Dieppe in 1940, in the smuggling of King Zog out of Albania and in setting up the Office for Special Services, the precursor of the CIA.

As commander of the 30th Assault Unit, he sometimes operated behind the German lines, trying to secure important documents and files from destruction. But, mostly, he directed the Unit's operations from London.

When the war was over, he built a house - Goldeneye - in Jamaica. He worked for the Kemsley group of papers and vacationed every winter in the island.

While awaiting the divorce of one of his numerous paramours - the pregnant Lady Anne Rothermere - the 44 years old Fleming wrote "Casino Royale" published in 1953. It was the first of 12 James Bond thrillers, translated to 11 languages and with total sales of 18 million copies. James Bond novels are now being authored by a new generation of writers.

In 1961, John F, Kennedy, the newly elected president, listed a James Bond title as one of his favorite books. Many movie plots were loosely based on Fleming's novels and have grossed, in total, more than $1 billion. The 007 trademark was merchandised and attached to everything, from toys and games to clothes and toiletries.

But Fleming was also renowned for his non-fiction: tomes like "The Diamond Smugglers" and his "Atticus" column in The Sunday Times where he served as foreign manager (1945-9). He successfully branched into children's literature with "Chitty Chitty Bang Bang" (1964), also made into a movie.

Ironically, his mother died and left him a fortune in 1964 - when Fleming was already wealthy and dying. The trip to her service may have done him in. His son committed suicide in 1975 and his wife died in 1981. He left behind one heir: James Bond.

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Are you feeling that the day is getting too long and you are sick of the same old show old channels on TV every single day with that little number of channels available to you? Now realize better alternative to boring TV. Now watch your favorite shows where ever you are, whenever you want to with free internet TV.

Internet TV serial viewing continues to increase in popularity. Instead of bringing a TV into your office, what if you could turn your PC into a Super TV RIGHT NOW? Know more about how to use your PC to catch a comedy just to brighten your day, update yourself with a quick news clip, or watch your favorite artist's music video at a click of a button!

Now with free internet TV serial you will never miss your favorite serial again. Get today your free internet TV and enjoy large collection of direct links to live TV stations and radio stations broadcasting on the Internet.

Free internet TV is an international TV tuner which allows you to view and enjoy 1000’s of channels. There is no need for PC TV card because the channels and streamed through internet connection. You will enjoy good image and sound if your internet connection speed is good. This software comes with an automatic TV station update so now you don’t have to update your channels and now you will never be out of date.

Free internet TV is easy in use interface. You can adjust your screen in regular or full screen mode according to your choice. So start enjoying your favorite serials and never get bored again.

Anna Josephs is a freelance journalist having experience of many years writing articles and news releases on various topics such as pet health, automobile and social issues. She also has great interest in poetry and paintings, hence she likes to write on these subjects as well. Currently writing for this website Free internet TV . For more details please contact at annajosephs@gmail.com

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The following article provides a quick guide on what to think about when preparing your artwork for printing.

It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.

1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your product.

2. Bleed
Bleed is the extra bit of the design page which you design on, as normal, with the knowledge that it will be trimmed off the finished flyer. Any images on your artwork should bleed off the page, and essential text should be away from the trim edge by a good few mm's. We use a 2mm bleed area on each edge.

3. Text
Keep essential text away from the edge of the flyer, by about 8-10mm for best results.

4. Print Resolution
Ensure your artworks resolution is at least 300dpi. The higher the resolution the better.

5. File Formats
If you are using un-common fonts, ensure you supply your artwork as a flattened jpeg or tiff. This will ensure there will be no font problems when your artwork is checked. The most commonly accepted program formats are Quark, Illustrator, Photoshop, Corel Draw, Corel Paint, Freehand, InDesign and Paint Shop Pro. Vector files such as .eps and pdf's are becoming more common and ensure a better end product.

6. Colours
Unless you have a calibrated monitor your artwork is likely to have slightly different colours when printed. Ensure your colour choices are correct before sending to print.

7. A Final Check
Before sending to your printer, have one more final check that everything is as expected.

WARNING
There are two things you should consider when designing your flyers:

Due to the quick turn around of our flyers, they are trimmed down not long after they are printed, in most circumstances we try to give a printed sheet 8 hours to dry completely, this isn't always the case. This is noticeable when one side of the flyer is left white, and the other side bleeds rich colour to the trim edge. This will cause slight powdering of the rich ink over, on to the white side. In this circumstance we recommend the use of borders.

Borders on the edge of a flyer, can sometimes give the flyer a classic look. But make sure the borders are a good few mm in from the trim edge, because of the way we print flyers (up to 32 at a time) and the speed at which we turn them round (from payment, to your door) these borders may not be an accurate trim to the exact 10th of a mm. This is why we ask for a 2mm bleed. The cutting blade could go either way. We cannot be held responsible for imperfect results if these borders are slightly uneven.

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Timing is everything, just ask poor Katherine Heigl. The actress was in Las Vegas last night to accept her ShoWest Female Star of the Year award when her dress strap broke and almost gave the audience a little more than they bargained for.
As she was giving her speech, the strap of her red Donna Karan dress snapped, and host Billy Bush had to rush up to assist her. He held her dress in place while she regained her composure and finished her speech. Her rep told Us magazine: "She appreciated Billy's 'support." HA.

Once she got off the stage somebody found her a safety pin and she could carry on with snapping pictures and mingling worry-free for the rest of the evening.

Bush took to Twitter about the hilarious incident: "Oh my. Hosting showest awards in LV. Heigl comes up to get award, dress strap breaks...I hold her top on while she accepts!"

While everyone shared a laugh at her expense during the show, the ShoWest managing director praised the star for her transition from the small screen to movies earlier in the night. He said: "Her comedic timing and flair for acting are showcased in each of her roles and have captivated audiences around the globe."

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While Karishma Kapoor became a mother for real life and another side other news comes Kareena Kapoor play first time mother role in his film career. Exactly Kareena’s role modern mother to an eight-year-old in Anubhav Sinha’s Ra.One starrer SRK.



A source reveals, “Kareena doesn’t want to be styled in the stereotypical mould of a mother. She plays a modern mum, and Manish Malhotra will design her look accordingly. She will be seen in extremely glamorous outfits.”

Sources said that her look is ultra-chic with trendiest outfits from short dresses to skirts to tight fitting topsManish Malhotra, Kareena’s favourite designer, says, “The film is based in London and she needs to be dressed keeping in mind the avatar of a modern mother.”

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These days just simply being a good actor is not really enough to make it in this 'dog eat dog' profession. There are people out there who would literally give their right arm to get a break in show business. Well maybe that's a bit extreme but I think you can see the point I'm trying to make here.

If it's any cancellation though, years ago their was even less opportunity to start a career as an actor. For a start, there was the equity loop hole. You couldn't get a job because you weren't a member of equity and you couldn't join equity unless you had a job..Aaahhh!!

Fortunately it is now possible to work on professional productions without the need to be an equity member. I still think it is a big plus to be a member of equity as there is much help and advice that the union can provide you with so if you have the option to join you are well advised to take advantage of it.

Getting Exposure Is What It's All About

Certainly an easy way to get some top public exposure is to appear on a show like Wife Swap, Pop Idol, Big Brother, etc. Just about anybody can apply for these shows and they are not so difficult to actually get on

Do I Have To Be Good?

Hell No, Sometimes being bad at something can have an adverse effect and actually get you further. Sounds crazy but it's true. Just look at some of the takes from X Factor for example.

The key here is personality. If you have a personality then you will be interesting and that's what the audience or public want to see. You gotta be interesting! Boring just ain't gonna work!

Make yourself stand out from the crowd if need be. Try different things and above all, be original. That's what will make you be remembered. If the public forget you, your history!

Only you can make this happen and remember, unless you are mega talented then you will have to pull every resource you have to stand out and be noticed.

Do a search on Google now and look for reality TV shows. Bookmark them and apply right away. This is a foot in the big back door Of course, the info I'm giving you here is simply a guide on how you can get an edge into show business. To become great at your craft, and in particular, acting, you will need to practice and practice very hard as well.

But remember, with the amount of gateways available nowadays, there is every chance of you getting your break sooner rather than later. There are many different ways that you can start off with your campaign and your first point of call will be to check casting newspapers such as The Stage or even ring round some of the local television studios and ask to see if there is anything suitable that they are doing that may fit your profile. Publicity will get you everywhere.

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After 40 years of fighting the bad guys, Hasbro's very own American hero, G.I. Joe, is finally coming home - in the form of his very first full-length CGI feature film on DVD.

In "G.I. Joe: Valor Vs. Venom," brought to you by Paramount Home Entertainment and Hasbro, the popular character sets out to protect the world from complete destruction. Once again he faces off against the evil Cobra, who has unleashed an army of unstoppable soldiers with fierce battle skills.

The leader of this formidable army is none other than the infamous Venomous Maximus, a creature made using the DNA of G.I. Joe's own Commander, General "Hawk" Abernathy, as well as that of some of the most terrifying creatures in the universe. In order to defeat Cobra's army and save his own Commander from this chilling fate, G.I. Joe needs to summon all of his scientific and heroic skills.

Marking the 40th anniversary of the G.I. Joe character, the DVD features tons of special features for his loyal fans, including a trading card game guide, a CD-ROM game and a behind-the-scenes glimpse of the movie's creation.

You can also scroll through character profiles, groove to a Valor vs. Venom music video and check out a drawing board-to-film comparison.

If you're doing the math, G.I. Joe debuted in 1964 as an 11 1/2- inch doll for boys that had 21 moving parts. After the movie "The Story of G.I. Joe" was released, he became the world's first "action figure."

While the character's challenges most often dealt with the evil Cobra Commander, G.I. Joe was also called upon in 1992 to help the Drug Elimination Force combat the growing drug problem. In-school programs were launched using the character to teach kids about the dangers of drug use.

Filled with history, as well as important lessons for kids of all ages, G.I. Joe has continued to reinvent and modernize himself throughout the years, without losing sight of his main mission - to protect the world from evil.

Now you can take home this timeless character in "G.I. Joe: Valor vs. Venom" to share with future fans of the ever-evolving G.I. Joe, who is still up for the challenge of educating the young and old.

In stores now, "G.I. Joe: Valor vs. Venom" is rated PG and has a retail price of around $20. - NU

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When an adult suffers from а child disease, it is extraordinary painful. Just as it happened to me at the late Soviet time when I caught measles, was bedridden for three days with a fever heat of 40C and was going to die. But then a doctor came, diagnosed the rubeola, I was taken to a specialized hospital and alive and kicking in a couple of days.

I will never forget those three days - an awful headache, general muzziness because of high temperature and in three days no thoughts but those of fast and desired death. In the hospital I met a man of about 50 who told me his case history. Further narration is from the first person.

I'm not young already and all my age mates often club to start complaining of their illnesses - some have ulcer, others - pressure problems, etc. And I sit like an asshole and can't keep the ball rolling since don't have any serious diseases. There finally I fall ill, which made me really happy. "They will cure me" - I thought - "so at last I will have a good reason to beat gums with my aces". I found myself in a contagious isolation ward of Botkin's surrounded only by those with Joe Trots and where everyone carries his own altar in their arms. I was also given my own altar. I really joined the club. They analyze me but can't find anything. At those times there appeared first reports of HIV-positive people in newspapers. The first one, as far as I remember, was a fellow from the foreign trade organization - a homosexual. That was the only association with AIDS. After failing to make a diagnosis the doctors decided that I had AIDS. And started putting me to the question. "Suppose you sleep with pants, come clean, we are doctors after all". I deny this but they don't believe me. They say: "Come on, faggot, we keep the medical secrecy". Thus, a week passes (in three weeks I gave up).

I come up to my doctor and say: "All right, guys, make a diagnosis and treat me, I may take it till the day after tomorrow, or else I will leap out of the window - can't stand it anymore". The next day they hold a regular council when a pediatrician wanders in by mistake. On examining me, she diagnoses rubeola proceeding without visible hives for some reason, which prevented to make the diagnosis right. The day before yesterday I was brought here and now I'm well. The only thing I'm distressed about is that it's even shameful to tell men about my experience - they discuss different serious ailments there and I have a child disease which is shameful to speak about let alone personal altars and how they passed me for a faggot. Then I have to hold my tongue.

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For generations, Barry Manilow has been singing his way into the hearts of millions of people from every corner of the globe. His songs are anthems for couples in every time zone, and his songwriting acumen is legendary. Fans will be thrilled to know that Manilow is returning to the stage in Las Vegas in 2006. Manilow will be playing regular shows at the Las Vegas Hilton, and his appearance is just another reason to visit the biggest oasis in the world. Below is a look at how Manilow became “Manilow”.

Early Life

Barry Alan Pincus was born in Brooklyn, New York on June 17, 1943. His father was of Russian and Jewish descent, and his mother was Irish. His parents split up when Barry was only two, and he was raised by his mother and maternal grandparents. He was introduced to music when he was seven, when he began to learn the piano and accordion.

Prior to his Bar Mitzvah at age 13, Barry began to sing. It was also at this time that he changed his name to match that of his mother’s maiden name - Manilow. In several ways, 1956 was the year Barry Manilow was “born”.



Budding Career

He continued singing through high school, and upon graduation, he was accepted to the prestigious Julliard School of Music. He paid his tuition by working in the CBS mail room. This proved to be a fortuitous school-time job. Manilow advanced at CBS, and wound up serving as the musical director for the CBS show Callback.

For the next few years, Manilow made his way by writing and performing advertising jingles, including the now-famous song for State Farm Insurance. His work got him noticed, and in 1971 he was hired by Bette Midler as her pianist and music director. He accompanied her on several bath house performances in New York City before Midler herself gained fame and fortune. His work with Midler helped her rise to the top, and as a result, Manilow landed his first record deal in 1973.

Potential Reached

Although Manilow’s first album, Barry Manilow, was not a huge success, his follow-up, Barry Manilow II, contained what became his first smash hit, the single, Mandy, which climbed to number one in both the US and UK. From there, an incredible run of commercial success ensued. Manilow’s next six albums all reached the Top 10 on the US Album charts, and some of the singles he produced during this time have remained popular to this day, including I Write The Songs in 1975 and Looks Like We Made It in 1977.

In all, Manilow has released over 30 albums, and 13 of them have risen to number one on the US Album charts, which is an unbelievable rate of success. Manilow’s style has transformed over the years as well. His early works were almost exclusively love songs and ballads. However, in the early 1980’s, Manilow began to focus more on smooth jazz and worked with such legends of the genre as Mel Torme and Sarah Vaughan.

Overall, though, Manilow is best known for his romantic singing and sometimes crooning ways on stage, and his shows have been sold out in nearly every venue for decades. His fans number in the millions and his act is imitated by many.

Manilow has won two Grammy Awards during his career for his singing performances, and in 2002, he was inducted into the Songwriters Hall of Fame. Rolling Stone Magazine called him the best performer of his generation. His charitable works are too numerous to list in one volume.

Generally, there are many reasons to take in a Barry Manilow show. We’ve listed a few, but a trip to Las Vegas would be well worth your time to see one of the true icons of musical performance.

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Copyright 2006 Alex Forbes

The main ingredient that distinguishes a perfectly respectable "album cut" from a hit song is the presence of a killer hook. But if hooks like that were so easy to create, we'd all be millionaires! How can you enhance the impact of your songs' hooks to appeal to both audiences and the People Behind Desks? Read on!

To make this article more useful, gather up your 3 strongest or most recent titles, hooks or choruses, so that you can apply what we're discussing to the "real world" of your material.

Tap Into Your Personal Experiences For "Nuggets of Truth"

It's my firm belief that the old adage, "write what you know" is applicable to songwriting as well as prose. Although some of us prefer to believe we can write about anyone and anything, our most meaningful and successful songs usually spring from "real life" experiences, and our responses to, and interpretations of, those experiences. Each day we spend on the planet, observed through the prism of songwriting, offers innumerable creative possibilities. The seeds of brilliant songs often lie just beneath the surface, but the writer must be willing to nurture their growth.

Let's say you're starting with a blank slate: germ of an idea brewing, recording device turned on, and instrument, voice or blank page ready and waiting. How do you go about extracting the proverbial Killer Hook from your precious "nuggets of truth":

• First, ask: what is true, real, intensely felt RIGHT NOW in your life? Be attentive to those flickers of realization, your "aha! moments."

• What experiences do you have a burning yearning to share?

• What contribution do you want to make to the world?

• What makes your angle on life unique, compelling, interesting?

• In the movie "Walk The Line," Sam Phillips asks Johnny Cash what song he'd sing if he was dying in a ditch on the side of the road and only had 3 minutes left. What hook would you sing in that situation?

• How can you arrange words and/or musical notes to get your "soul" down in song?

• Get crazy, be bold, bare your deepest truth or your silliest notion.

• Your job as a songwriter is to express what others can't express. Go overboard!

Now take a few minutes and blurt out what comes up for you. Really dig in there and fearlessly sing, write or play something, anything, as long as it rings true. This is a great exercise to try any time you have 10 minutes to spare.

Next, start to put that spark of inspiration into song form. Stay connected with the essence of your personal experience as you begin to experiment with lyrics and music.

Ways to Enhance the Impact of Your Song's Hook(s)

In the Verse/Chorus song form — the most common form these days — the chorus, and especially the hook, is where you "deliver the goods." It's the equivalent to the summation to the jury, the punch line of the joke, the revelation on the mountaintop. Every verse, every pre-chorus, every bridge, every line and every note leads up to this ultimate payoff. A great hook (and chorus) is packed full of meaning, fun, passionate intensity... or all three! It can't be overemphasized that your hook has to really Rock Their World. But first, it has to rock YOURS. It has to ring true to you.

• Boil your Big Idea down into the smallest possible expression of its essence: your hook.

• Stay simple-yet-elegant. Less is usually more.

• Don't pussyfoot around. Be bold and risky. Always take a strong point of view!

• A great line bears repetition. If it's worth saying, it's usually worth saying again.

• Make your song move rhythmically. People want to be SWAYED in more than one way by your song.

• Think of it this way: your hook is the hub of the wheel, and the other song elements are the spokes.

• Marry your melody to your lyric so that each intensifies and deepens the other.

• If you are thrilled by your hook, "they" probably will be too. And if you're holding back, they probably will too!

• Show off your "money" note, your slammin'-est groove, your cleverest line, your most unusual concept in your hook. Aim for the bleachers, emotionally and creatively.

Give Your Hooks Mass Appeal

Singles are distinguished from album cuts by their catchiness, accessibility and freshness. And the hook is the key to that mass appeal. Most listeners and People Behind Desks couldn't sing all of a song's verses back to you if they tried. But most CAN remember a killer hook or chorus. For those of you who are driven by thoughts of financial gain, singles are also where the money is. (But remember: selling doesn't mean selling out!) When you get to your main hook, hit us with fresh language, chords and melodic movement to wake us up physically, emotionally and spiritually. The might mean:

• An impassioned title or lyrical line: a twist of phrase, an unforgettable image, or an emotional outpouring that rings true

• A peak moment for the vocalist. This could be a high note, a long note, a rhythmically cool pulse or movement, a fresh interval, a repeated pattern or melodic sequence, etc.

• A catchy-as-hell instrumental riff or chordal pattern

• An underlying rhythm or groove that sweeps up all in its path

• Enough repetition to be catchy without becoming boring

• A striking contrast to whatever comes before and after (verses, pre-choruses, bridge), so that your hook stands out in an obvious way

Remember, more Hooks-Per-Square-Inch is better! In this day and age of sensory overload, listeners thrive on intense songs that cut through the clutter. We WANT to be moved on all levels. We're hungry for depth, for truth, for emotion, for humor. Strive to discover the universal within the personal, the specifics of real life. Make your song paint a picture or create an environment people can live in.

By following these guidelines, and learning from songs that are hits in your chosen genres, you can make your songs more accessible, satisfying and commercially viable.

Happy songwriting!

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Elton John, over time, has proven to be one of the most influential musicians of his time. His “time” spans several decades, and his legion of fans spans several generations. John has been performing for more than 30 years, and this summer’s tour is bound to attract millions of followers around the United States.

Early Life

Elton John was born Reginald Kenneth Dwight in England in 1947, and his early childhood was shaped primarily by the women in his life. His father, Stanley Dwight, was a Squadron Leader in the RAF, which meant that he was rarely around his son, as his military duty kept him on tour for years.



John proved to be something of a child prodigy, as by the age of four, he was able to play piano melodies by ear after hearing them either on the radio or record player. He continued to hone his love for music, and he won a scholarship to the Royal Academy of Music when he was 11.

John studied at the Academy for six years, but left before he graduated because he felt he was ready to concentrate on his professional music career. John played in his share of bands while he was a student, and it was during this time that his professional attitude and style were formulated in such a way that they would serve him throughout his career.



Early Career

John’s first band was formed when he was 13, and it was called The Corvettes. The Corvettes ultimately changed their name to Bluesology, which experienced some success as a backup band for such R&B artists as the Isley Brothers and Patti LaBelle. This exposure led to Bluesology being signed to serve as Long John Baldry’s supporting band, and they would tour and play small shows throughout England during this time.

John soon became disillusioned with the tight-fisted control that Baldry exerted over Bluesology and left the band soon thereafter. Even though there were initial failures, as John auditioned for lead singer roles with King Crimson and Gentle Giant without being hired, this part of his life led him to a partnership that exists to this day.

Career Success

John once again failed in an audition with Liberty Records, but as he was leaving the audition, he was given a group of lyrics without music that were written by Bernie Taupin, who has also tried out for a role with Liberty Records. John wrote music to support the lyrics, and the two began corresponding. John and Taupin met six months later, and it was during this time that John changed his name to what it is today. After a couple of years of writing music together, the partners were ready to encounter the 1970’s, which was a decade where they experienced a level of success that was unmatched in history.

Taupin and John began releasing singles with moderate success, and formed a band of musicians that would lead to John’s first number one album, Honky Chateau, in 1972. The album contained such hits as “Rocket Man” and “Honky Cat,” and spent five weeks at number one.

The following year, John started his own label, Rocket Records, and his string of success was amazing. His next nine albums all climbed to the top of the US Album charts, and his 31 releases since his first have sold hundreds of millions of copies around the world.

Awards/Acknowledgements

John is revered by millions, both inside the music industry and by the public in general. He has been recognized in several ways. John has won five Grammy Awards, although this is just the “tip of the iceberg” in terms of his recognition. In 1995, John won an Academy Award for Best Music, Song for "Can You Feel the Love Tonight," featured in The Lion King. He won a Golden Globe Award that same year for Best Original Song - Motion Picture for the same score. In 1996, he was appointed a Commander of the British Empire (C.B.E.), and in 1998, he was Knighted by Queen Elizabeth for his contribution to music and fund-raising for AIDS charities. Finally, in 2000, John won a Tony Award for Best Original Musical Score for his work with Aida. John was also inducted into the Rock and Roll Hall of Fame in 1994.

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So what really is considered a classical movie? Can we simply associate as a black and white film noir thing? Containing some of those cheesy classical music? How about big powdered wigs? Do you think of the formal nature of both the characters as well as the period get-up and attire? Is a classic movie one which garnered 10 Oscars? Or do you think a classic movie simply one which down to the perception of the viewers and individuals?

The classical movie IS truly one of the great inventions since we discovered hamburgers. The classical movie is also the one show that we had the benefit of watching when we were kids, cause at the time only three television channels were available. It was during those good old Saturday afternoons and Sundays, when my dear father wasnt consumed by the sports programmes on show, when those classic movies from the past, movies featuring the glamour girls and the guys that inspired us boys to want to be cowboys, were made available for us to enjoy in all their splendour.


Though there is obviously a distinct difference between classical movies and classical movies with only classical period elements (music, costumes, storylines, etc.), I would like to address the delight of the classical movie of yesterday and today that does involve only a particular period of history and does, then feature only classical period elements.

I tend to associate the black and white flicks with the beauties and the beaus, the comedies with the curmudgeons, the histories with the insights into who people were back then, like us but with an added je ne sais quoi that we must find out, learn about, and finally to appreciate in as great a depth and as wide a breadth as we can, in order to do them the justice they deserve.

Say for example, my favorite classical movie of all time, Impromptu. This film basically enacts a couple of years in the lives of the characters George Sand, Franz Liszt, Freiderich Chopin, and the regal and wealthy folks who took artists in, allowing them to paint, create, compose, write, in exchange for wonderful company and fine entertainment. The film concentrates on Sand, who is bent on partnering with Chopin, her aggression equal in magnitude, as was his weakness. The costumes, the soundtrack, the dialogue, and the setting are all as breathtaking as the direction, technique, and the delivery of words and emotion. There is even a theme or two that humans from the beginning of time until today can identify with or appreciatethe love and hate, good and evil, as well as longing and belonging motifs that are as timeless as the movie itself.

Other classical movie choices I have an affinity toward are those less mainstream & popular ones. I would consider Mrs. Parker and the Vicious Circle (though clearly POST-classical periods), Wilde, and Jefferson, for instance, as worthy of classical movie acclaim as say Amadeus, Emma, The Piano, and any number of Kenneth Branagh and Emma Thompson productions.

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If sometimes, weighed down with the complexities of uneasy empire, we perchance wonder if America could be freedom’s fading star, it’s somewhat reassuring to realize that the nation is so young it still does not recognize the existence of Americans. Even the Indians don’t completely get the nod, because they’re still camped out on reservations.

We might see the persistent refusal to accept “I’m an American” as a recognized nationality, at least on the home front, as a consonant reflection of our mixed and matched heritage. But it does present us with inconveniences.

Tell a fellow American who asks your nationality, “I’m an American,” and what does he say? “Oh, come on, tell me, really, what are you?”

“I just told you,” you repeat, in your resourceful attempt to nationalize yourself, “I was born and rear-beaten in America.”

“No, no,” your interrogator presses on, “I mean, where did your parents come from?”

“Well,” you let out, “my mother was born in West Virginia.”

“Then where did your father come from?”

Now, you’ve been cornered, so you finally confess that he came from here, there, or wherever. Let’s say Ireland. And what does your pouncing interrogator reply?

“Oh, so you’re Irish.”

Actually, the only time you get to be an American is when you’re likely to suffer the slings of outrageous interactions in distant lands.

“Oh, so you’re an American,” you're told, usually in a tone that intimates at least a slight reprimand, as soon as the securely French, Italian, or whatever person you chance to chat with determines you’re from the USA.

And, no matter how much effort your make to elude detection by speaking in the tongue of your assailant, the nonchalant accusation pops to the fore as soon as your first Yankee twang intrudes.

Will Durant, the popular (dare we say American?) historian, estimated that it takes about eight-hundred years for a country to develop a civilization. I wonder how long it takes short of that to develop the nationality that might achieve it.

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After spending a significant amount of time taking pictures, and accumulating a large library of images, it can be a daunting task looking for a way to sell your work.

With the right approach and a vast amount of hard work you soon may see a return for all the hours spent outdoors.

One of the easiest ways to begin with is holding a local gallery in your town hall, inviting all your family, friends, and especially local businesses.

This first gallery can be used as a learning point. The place where you make mistakes, but you should learn from them. Good friends will understand or even make fun at your mistakes, but will know it’s the start of a new business.

When selling prints in a gallery don’t make unnecessary claims about the durability of your prints. Give advice on how to take care of the prints, such as: don’t store them in humid conditions or don’t expose them to direct sunlight. Try to print on good quality paper.

Choose your time carefully when holding your first exhibition. Don’t hold it in early January; most people spend a lot of money over Christmas and don’t like spending too much in the new year. Pick a time where there’s a lot of visitors coming to your town. Local images should sell well with tourists. Don’t try selling an image that you think is just “OK“. If an image isn’t good enough to hang on your own wall at home, it is not good enough to be exposed to the public.

There are plenty of other ways to sell your photography. Stock Agencies require a minimum submission of 500 - 1000 images, and regular submissions thereafter, with very low returns. Sometimes it’s better to go it alone promoting your own work, especially if you’ve got the drive to become a salesperson. And no better place to start than in your local town with your first exhibition.

After getting the feel for exhibits, there is no reason why you can’t go to other towns or cities. Galleries all over the world are always looking for new upcoming photographers.

There are no rules to what makes a picture sell. Sometimes having them in the right place at the right time can attract a client or customer. Images are used throughout the world to sell products and ideas, and there’s no better place to start than with your local community.

If your pictures are good enough to be entered in competitions, or hang at home on the wall, they are certainly good enough to sell.

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My wife loves to watch the show, A Baby Story, everyday. She starting watching it a year ago when she was pregnant with our son, because she wanted to try to get an idea what labor would be like. Now she watches, because she wants to reminisce about the birth of our son, and look forward to having our next child. Personally I think that this show is boring, but recently I heard a baby story of a different kind. Here is how the story went.

The girl was nineteen years old with no boyfriend in the picture anymore. She was working full time to try to make ends meet, and she was getting very anxious for the baby to be born. One morning before she had to be at work, she went to the doctor’s office for a checkup. The doctor checked her and told her that she was in labor, and she needed to go to the hospital to be delivered. She said cool, and then she asked do I need to go to the hospital now, or can I go after work. The doctor politely told her that she did not have to go to the hospital immediately, but that she could only go home and get her a bag ready for the hospital stay. She asked if it would be ok if she got something to eat, and he said he did not advise it. Next thing you know she is in the drive-thru line at Whataburger trying to get something to eat, and a guy backed into the driver side of her truck. Remember now that she is in active labor. She can not get out of the driver side door, so she drags her big, nine months pregnant belly out the passenger side door. The man saw her condition, and got so worried he fainted. Now a nine month pregnant women is sitting in the parking lot at Whataburger, in active labor, fanning a man trying to revive him. Once she got home, her mother rushed her to the hospital. After a few hours of labor a beautiful baby boy was born, and both mother and baby were healthy. I don’t know about you, but if A Baby Story was this interesting everyday, I think I would tune in a lot more often.

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Copyright 2006 Todd Harris

Proportion is a word often associated with another word for artists, stress. But I’m here to share with you that it doesn’t have to be a stressful word. Can this really be true? A simple way to warp speed techniques when measuring proportion? Yes, I'm here to say that it is true.

Proportion…How big should the head be? How long should the legs? How long should I draw this line? These are questions, we as artists, face everyday. It doesn't matter what kind of artist you are...getting the most out of figure drawing with accurate proportions will explode your art to new levels. There are several tools and methods to help artists with proportions. Without correct proportions, your figure will be inaccurate and lacking at best.

There are certain proportion formulas, such as the figure being a certain many heads tall, or the head of the figure being so many eyes wide.

I like to know these formulas and use them as a guide. The human form being so individual you can never go strictly off of these formulas alone. As an artist, it’s important to know these formulas to be able to recognize the deviations from the formulas in the model/subject you are drawing.

Measuring

Measuring is a little bit different for every artist. It is a tool for proportions not to overlook. Just as someone aiming a poolstick or firing a gun does it differently than the next person, so goes it for the artist. Some artists, while measuring, will shut the left eye and some the right, while others will keep both eyes open (just never keep both shut LOL). You’ll need to see what’s right for you. Then, hold your pencil between your thumb and fingers with your fingers wrapped around the pencil. Measure from the top of your thumb to the end of your pencil. You can hold your pencil vertical or horizontal for this technique, keeping it at shoulder high.

Your measurement from your thumb to the end of your pencil may only be ½ inch, but on your drawing it could be an inch or more. All of your measurements are comparative. For example, if an artist wants to know how long a leg is, he can compare it’s length with the length of the subjects head. Using the measurement method we discussed with the pencil, it’s easy to compare.

These simple methods, once applied, will soar your drawings, paintings or whatever you are working on. The advice practice, practice, practice, coupled with masterful technique will help you advance your art quickly and masterfully more than anything else.

This is a brief overview on proportions and measuring. For more information on proportions, measurements, drawing people or faces, and much more…Please email us at info@learning2draw.com.

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The Time is Right: With the Fed lowering interest rates and setting a good tone to the markets along with earnings season coming up next month, there has never been a better time to learn to read price charts to pinpoint the best entries and exits for your trades.

When you know how to correctly read price and candle patterns you can identify the beginning of the next big wave and the most profitable entry for your trades. The price graph will also give you clues about when that wave is slowing down so you have time to tighten your stops and maximize your returns.

The markets today are providing us with great trading opportunities. The positive reaction to the interest rate news sent stocks skyrocketing, which made for some wonderful trades if you positioned in early. Many of those stocks, however, are due for a pullback. And what a perfect time to be trading because once you learn to identify the typical pullback, or retracement patterns, you can use those to enter trades before the next big run into earnings.

Here's An Example:

A pattern that we usually see before a stock makes a run into earnings is a rectangle. A rectangle pattern is created when a stock moves up and down in a small range for a short period of time. This type of consolidation is more of a sideways move, during which time the stock doesn't loose much of its value, but the options do become cheaper as the volatility decreases. An example of a recent rectangle is a trade we did in the two day Technically Speaking Workshop during which we bought calls on Freeport (FCX). This trade was done because the stock had just broken out of a rectangle pattern and, as you will learn in the Technically Speaking Workshop, we teach entering trades on the first or the second day of the move.

This trade was based on a contingency order at $92.50 on the Breakout Entry #1 seen below. This teaching method allows you the flexibility to trade as an end-of-day trader so you don't have to be tied to your computer. The first entry was one that was triggered while unable to watch the markets. On the second day, there was an additional entry above $93 as the stock opened up outside of the rectangle. That is Breakout Entry #2, and is the pattern used to enter the trade in the Technically Speaking Workshop. As you can see below, FCX has rallied to a closing high of $108.67 - almost a fifteen dollar rally since entering the trade!

Another Example:

Another pattern that you might see as stocks pull back from the recent rally is a Flag pattern. This is similar to rectangle but one that is tipped on its side. With this type of pattern the stock pulls back in price and gives a better entry price into the trade. DryShips, Inc. (DRYS) formed just such a pattern this month as it retraced about ten dollars before heading to a new high. Below, you see the Flag pattern outlined in blue with the Breakout Entry #1 around $71. The second day provided another opportunity to enter the trade at around $75 before the stock rallied to a new all time high of $81.65 (at the time of this report). Depending on what day you would have entered the trade, this has been anywhere from a six to ten dollar upward move in the stock.

When you can properly identify pattern such as these and more you will have the skills needed to correctly read a price chart to determine when the retracement has ended and when you should enter a trade. That is how you enter trades near the beginning of the next big move.

Charting Your Way to Profits Online Classes.

Learn more about how to read price and candlestick patterns to enter the right trades at the right time and earn maximum profits.

Markay Latimer with Better Trades

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Remember back in the 1990s when a lot of people either retired early or became wealthy? It was relatively simple. With stock prices going up, up, up, I knew a lot of people who simply invested part of their paychecks. They ended up with several hundred thousand dollars in profits from their constantly rising stocks.

I knew others who had already amassed several hundred thousand by the time the stock boom came along. They were millionaires by the time the 1990s ended.

Ah yes, those were the days. Today most people will tell you it's a lot harder. Stocks don't seem to do much any more. You have to invest in risky emerging countries to see much return. And that chance can evaporate overnight taking your money with it.

When the stock market won't bring you any return, most people turn to real estate. But housing prices have peaked in most cities, meaning you can't just buy a house and sit on it for several years to earn a fat nest egg.

So does that mean we have to give up on ever getting ahead and just learn to be satisfied living the "average" life our jobs can provide?

Not necessarily. These days you have to think differently to get ahead. For example, you've noticed how manufacturing and jobs are heading out of North America to foreign countries. That's bad news for many workers, but it's GREAT news for some segments of the Foreign Exchange Market.

You see, when we buy products from China, or Japan ships products to England, all kinds of currency has to change hands and be converted. There is BIG money in that process.

FOREX, the foreign exchange market, handles 2 TRILLION in transactions EVERY DAY. That's far more money than what Wall Street handles. Just about anybody can jump in and pull out quite a profit for themselves by participating in the FOREX process.

Does all this sound a bit new to you? Most North Americans have heard very little about FOREX. They've got BILLIONS of dollars sitting in savings accounts and low yield investments that could make them a LOT more money in the Foreign Exchange Industry.

If you're thinking helping all those millions get their money transferred to FOREX is a HUGE opportunity ripe for the picking, you're RIGHT!

I hope my article has opened your eyes to some of the terrific opportunities that are being created now. Rather than looking back to the good old days of the booming American stock market and waiting for those times to return, refocus your attention on what is really happening right now. Your fortune lies in seeing more clearly the awesome opportunities at hand.

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In the wake of the sudden death of its now fragmented leader, Abu Musab al-Zarqawi, Al-Qaeda in Iraq polled its somewhat shaken members about who would like to take over Mr. Zarqawi’s job. After a determined effort, the group was able to find a terrorist who, though expressing understandable reluctance, was eventually persuaded to accept the expectedly short-lived position.

The usual amateurish Webcast was quickly arranged, and the new leader, flanked by other terrorists wearing the standard-issue black head disguises, introduced himself, with visible knee shaking, as Abu Hamza al-Muhajer.

In the co-opted, overbearingly religious language that has become the worldwide standard in terrorist-speak, the new leader of Al-Qaeda in Iraq vowed to avenge al-Zarqawi’s death and vowed that he and the other “holy warriors” will continue with what they perceive as a holy war against their own slack populace and the people Al-Qaeda refers to with moronic medieval acumen as “the crusaders.”

“Don't let the joy of killing our Sheikh Abu Musab, may God bless his soul, fool you,” he stated, “for he left behind lions."

To prove his point, at that moment, he held up an uncooked shish-kabob and took a bite out of it. Chewing on the raw lamb meat, he continued: "He raised them by himself and they trained in his den. They believe in their ideology, and they fight only for God and in God and through God."

Apparently, the group had to reach far down into its ranks to locate another willing volunteer. Unfortunately, no one on the side of the infidels had ever heard of him, even the most erudite terrorist analyst.

A few days later, his identity was determined. After the announcement, his photo-ID poster was taken to a US firing range for target practice.

No comment was forthcoming until and a couple days later, when a terrorist of even less repute made a tape, claiming he is the rightful fellow who's picture should be on the firing range.

Whoever the new leader is, if apprehended alive, he will be sent for retraining in religious ideology to an enlightened mosque, if one can be located, wherein he will learn the disconcerting logic that if, as he and his ill-informed cohorts maintain, there is only one true God, even crusaders are the children of the same God, so such a God is unlikely to welcome them into the paradise they long for as a reward for their murderous activities but will far more likely present them with a more heated welcome and destination.

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Cheap digital photo processors are a dime a dozen

Digital photo processors that do the printing cheap abound. They are everywhere you look. But to find an affordable location that can give you the quality that you expect is another story. Some places offer prints for as low as 12 cents for a 4X6 print. Others can charge as much as 58 cents per print.

What do you get for 12 cents per print?

Many customers of the chains that offer prints this cheap have a complaint similar to this one; "Some companies try to "alter" the images to get the "highest" quality photos. This person had done a test and submitted the same photos to various processing services. What they received were totally different results. Their complaint was that the photo shops try to make them look good instead of trusting their customers abilities. As simple as it sounds, leaving the picture alone can be a difficult quality to find in a photo printer online. To try to find out on your own is quite a lot to ask of paying customers. Other than altering your photos after you upload them common complaints are that the quality is not what they expected. As a photography lover let me tell you there are a lot of companies that will give you very high quality prints that will amaze you no matter what your expectations are.

What can you get if you find the right photo printing company?

There are printers that do not charge very much more and the quality is outstanding. With these more capable companies they offer very good sign-up bonuses such as 60 free 4X6 prints to start, and free membership. They can also offer various albums to organize your pictures online. All the while offering file uploads as high as 10MB. Other great services are bulk order prices. With bulk order pricing the more you order the cheaper they get. That way having a family reunion will not break the bank. As you look for a great company to print all your favorite photos remember that there are photo printers that can disappoint and there are printers that can dazzle.

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Are beliefs not often the children of ignorance and fantasy? Consider the heavenly view of the world that young souls entertain at the height of their innocence, when their youth has been surrounded by love and filled with happiness. Hear their laughter. Dreams expand in a vacuity of knowledge like a laughing gas and induce the blindest, the purest joy.

Ignorance is bliss, as they say, because it spares us the mental restraints associated with knowledge (which reveals the limits of reality and hence the impossibility of our fantasies). It is the ultimate playground where the mind can build castles in the air, create a wonderland, and live delightedly in this kingdom of reverie. It paves the way for the reign of error, as it leaves us to believe whatever we like. Everything that is desirable is realizable, if not real, until we find evidence to the contrary. Santa Claus eventually dies of our old age – when we are no longer so young, so green, that we are easily fooled by a tall story.

In truth, however wise we may be, we are still at risk. We spontaneously indulge in fantasies about the world here below, which is never totally known, or the beyond, which is unknowable. We are always tempted to believe that our health, our relationships, our career, or any other part of our life, will be wonderful, or that our death will not be an end, but a passage from here to a paradisal hereafter. This temptation is irresistible for many when they discover a charismatic fortuneteller or spiritual leader who professes this belief, which remains unproven nonetheless. Our believing is then the result of ignorance and fantasy, plus faith.

An example of self-deceit that concerns young idealists and betrays their warm-blooded aspiration for perfect love is the illusive passion they often experience toward attractive members of the opposite sex whom they little know. By perfect love I mean a complete and durable harmony at every level – physical, psychological, intellectual, and spiritual – between two lovers. It involves friendship to a high degree, as the words “girlfriend” and “boyfriend” suggest. While it includes lust, it transcends and transfigures it.

Pop songs are common vehicles for this ideal, which entices many young souls. I am thinking of young men in particular, who are usually quick to fantasize about pretty young women and fall madly in love with them, or rather with a fantastical image of them. This quickness is typical of their ardent and imprudent youth. It needs nothing more than a few smiles and nods, a few gracious words of agreement, to make these young men imagine they have found a soul mate, as they pour out their inner self – their sense of what is good, true, right, or sacred. A few auspicious signs and, voilà, they take the pretty young women for dream girls and are besotted with them! A few misleading signs, in fact. Every charm hides a cause for alarm.

If, in the struggle for survival and happiness, society is a cure for individual limitations (an imperfect cure to be sure, with side effects), it is also a pill hard to swallow. Civility is a smooth sugar coating that eases the swallowing. Give thanks to those who phrase their discontentment with delicacy and embellish it with a compliment and an encouragement. No nagging, no gagging. Sometimes civility excludes honesty and amounts to well-meaning or self-serving hypocrisy. It turns into servility through a mix of kindness and weakness, or through pure selfishness. One way or another, some people are fooled, kept in the dark, while they should live wisely, in the light of knowledge. They are denied truth: the opportunity to conceive of their true situation and achieve their true purpose.

Young men, among the fantasizers I referred to earlier, are often lured by the social graces of pretty young women. The poor fish take the hook and eventually discover they have made a mistake, like many others in the same boat. The dream girls were ordinary maidens or vixens who first behaved and talked infinitely sweet, and later proved lovable in a limited way or revealed their sour temper.

A long intimacy is a good test of a couple's true nature. It always strips relationships of the silky appearance they sometimes have initially, when seduction overrides every other consideration. This appearance is superficial and deceptive like the outer layers of an onion. Once it is removed, after a succession of changes that marked a gradual return to naturalness, conflicts arise. The truth is uncovered; tears are shed.

Many young fantasizers part from their lovers at this point. They embark on another relationship until the next disillusion, the next dissolution, then embark on another relationship, and so forth. They do the same in other areas of life, starting this or that with high expectations and quitting upon the first difficulties, time and again. They never settle for less than perfection; they never build anything to speak of.

Some of these fantasizers stop this nonsense after a number of disappointments and finally change into brave realists. Their bravery distinguishes them from other disenchanted souls who give up hope to give in to laziness with a clear conscience. These defeatists confuse their attitude with realism and suffer nullity or mediocrity rather than fight for excellence, which is possible, unlike perfection. In their view, humans are in their element only when fantasizing, like fish when swimming. In fact, humans – who are adaptable – are closer to amphibians than to fish. They can come back to earth without dying of frustration, and even better, with a chance to live happily, thanks to a blend of struggle and resignation that yields joy and serenity.

Brave realists know and accept the conditions and limitations of happiness. They think it all the more precious as it has a high cost and is bound to be lost sooner or later. They also understand that although one may indulge in a fickle existence for a while, one must eventually commit and apply oneself to a particular relationship, study, or career, in spite of imperfections and difficulties, if one wishes to achieve something worthy of mention. Nothing good can come from a search for better that always leaves one thing for another.

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This week Warner Brothers joined the Walt Disney company in attempting to transform Broadway from a venue with a whisper of hope for social relevance into one that presents works that are the intellectual equivalent of Mickey Mouse caper.

If Disney could do it with, for example, The Lion King, why couldn’t Warner Brothers find a property to achieve Broadway fame and fortune with? Unfortunately, their imaginations never soared higher than redoing the Dracula legend, based on a contemporary author’s odd novelistic take on it.

In order to hew to Disney’s proven path to moronic megabucks, Warner hired the same songwriting team Disney did for The Lion King, Elton John and his comparatively invisible lyricist Bernie Taupin.

Fortunately, the show was a no-go from the start. The word of mouth was devastating and the reviews turned out to make the word of mouth sound brilliant.

The question is, why would anybody, given the entire world of properties to choose from or, on a wild bet, even to create an entirely original one, choose the exhausted and irrelevant legend of Dracula?

As we of say about trying to work with an idea that doesn’t seem to have a life of its own, you can stand up a dead body, but you can’t make it sing and dance, and, once you let go, it’s bound to fall down.

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Although the mainstream music world has often relegated accordions to second-class status, squeezeboxes are once again coming into their own. Making appearances in productions ranging from those of Cirque du Soleil to albums from top name rock stars, the accordion's unique sound is getting some well-deserved attention.

Although most people can conjure up a mental picture of an accordian, many do not realize that there are several different kinds of accordions, developed over the years for specific musical genres. As free reed instruments, the opening and closing of an accordion's bellows (or squeezebox) causes the air to flow over the reeds, which makes the sound. An accordion also has buttons, or both buttons and a keyboard. These serve to direct the airflow to certain reeds and not others, thereby controlling the tones played.

Some accordions have one row of buttons; some have two rows of buttons; and still others have three rows. Accordions with one row of buttons include the Hohner Concertina and the Hohner Ariette. The latter is often used for playing Cajun, Quebecois, Zydeco, and Irish folk music. These buttons typically play the diatonic scale, with each button able to play two notes: one when the bellows is squeezed in and another when it is spread apart. An accordian with one row of buttons is often tuned for the type of music being played. For example, certain reeds may be filled in order to produce the sounds typically associated with Cajun music. The Hohner Ariette, for instance, has ten treble buttons, two bass buttons, four sets of treble reeds, and three sets of bass reeds.

A two-row button accordion typically has 21 treble buttons, eight bass/chord buttons, and two sets of treble reeds. Such an accordian is available in key combinations like GC, AD, CF, and DG. A three-row button accordion, such as the Hohner Corona, has 31 treble buttons and two sets of treble reeds. The third row of keys means that the key combinations differ from those of a two-button accordion, and might be, for example, GCF, FBbEb, EAD, and ADG.

A piano accordion is fully chromatic instrument with a varying number of piano keys, depending on the size of the instrument. From the gold standard Gola piano accordion to the Hohnica piano accordion for the budget minded, there truly is a piano accordion for everyone.

One of the most beautiful aspects of accordions is that they can't be completely mass-produced and assembled. Like other fine musical instruments, the handmade components (in the case of accordions, most notably the reeds) are what give the instrument its unique sound.

There's no doubt that the accordian has traveled far from its stereotypical uses as an instrument for polkas. From Cajun and Zydeco to Klezmer and Classical music, from Lawrence Welk to Sheryl Crow, accordions are here to stay.

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